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F I don't know why, G. And give love a chance to wi-i-i-in C.. Cause baby I swear.. C Am Baby baby I swear to you F. Anytime you want me to yes I swear. C Am Baby baby I'm here for you F. Girl, you are the life that i'm living, I just can't go on without you, Let's make it alright, wake up to what we've been given, remember the things we've been through,. I can't imagine, the two of us apart, Can't find a reason, cause I still believe, There's no one like you, that is why I need, nobody but you,. E B G D A E Verse 1: Yeah, ooooh
She was as destitute of clothes as the green Martians who accompanied her; indeed, save for her highly wrought ornaments she was entirely naked, nor could any apparel have enhanced the beauty of her perfect and symmetrical figure. I don't think the princess-in-peril is anymore cliched than the woman-in-jeopardy plots from other genres. In my current wip, I have a princess-in-peril too though that only provides the impetus for the hero and heroine not the princess to get together during the course of the story. Lynda, my princess also provides the impetus for the heroine and hero to get together. Which begs the question whether the princess-in-peril has been done so much that instinctively we've relegated the princess to a plot device and are no longer making her the heroine?